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Deborah-Joyce Holman

Repository of Demonic Grounds / Notation for Subject Appearance
Repose - Extended Play
Set
Close-Up
Close-Up/ Quiet as it's kept
Love Letter
Spill I-III
Moment 2 
Beautiful and tough as chestnut/ stanchions against our
nightmare of weakness
Moment
Untitled (for scale)
 Untitled (in rage)
Unless
Maybe intensely so, or not at all, but definitely mistaken - unhinged, unbound
Untitled (in refusal)
A Glare (Glimpse)
Thicc and Slippery
A Soft Spiral
 These notes are spread through rtf, ig and pages i’ve marked but never re-read

Bio / CV
 Email
Instagram

©2026

Deborah-Joyce Holman

Repository of Demonic Grounds / Notation for Subject Appearance

Repose - Extended Play
Set
Close-Up
Close-up/ Quiet as it's kept

Love Letter 
Spill I-III

Moment 2 
Beautiful and tough as chestnut/ stanchions against our nightmare of weakness
Moment
Untitled (for scale)
 Untitled (in rage)
Unless
Maybe intensely so, or not at all, but definitely mistaken - unhinged, unbound
Loss
Untitled (in refusal)
A Glare (Glimpse)
Thicc and Slippery
A Soft Spiral
 These notes are spread through rtf, ig and pages i’ve marked but never re-read

Bio / CV
 Email
Instagram

©2025

KT #20 (2025). Photo: Jack Elliot Edwards. Courtesy: Galerie Gregor Staiger & the artist.


Current:
Nomenclature for the Time Being
Raven Row, London
 with Rebecca Bellantoni, Hannah Black, Maren Hassinger, Deborah-Joyce Holman, Marla-Sunshine Kellard-Jones, Atiéna R. Kilfa, Christine Kirubi, Kumbirai Makumbe, Zanele Muholi, Sandra Mujinga, Shenece Oretha, Ingrid Pollard and Ebun Sodipo, curated by Imani Mason Jordan
21 May - 6 September 2026


Queen For A Day (publication)
Book Works & Luma Foundation
Featuring commissioned texts by Cédric Fauq, Olamiju Fajemisin, Noémi Michel and Francis Whorrall-Campbell

Order here